Roman
Scoring Assistant
Quick tip: Never let a werewolf drive your car.
Posts: 114
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Post by Roman on Sept 7, 2013 13:29:03 GMT -8
This is a tough one, so I'm going to ponder on it a bit. But I'd love to hear what you folks think.[/quote]I do not enjoy any of these scores. They're all so scary and evil-sounding. Not my thing, I'm afraid. [/quote] No worries. I know horror scores aren't for everyone. I love them. But I just love indulging in the dark side.
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Roman
Scoring Assistant
Quick tip: Never let a werewolf drive your car.
Posts: 114
|
Post by Roman on Sept 19, 2013 5:54:24 GMT -8
So after hearing "Logan's Run" in context I got to thinking. Goldsmith has composed some pretty interesting and yet challenging scores. His electronic work on "Logan's Run" falls in that category (in my opinion) and so does his amazing work on "Planet of the Apes". What do you think is his most challenging score to get into and why?
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Post by FalkirkBairn on Sept 20, 2013 10:25:26 GMT -8
I think that LOGAN'S RUN is a good example. The music is so linked with image that you need to see film to appreciate what Goldsmith is trying to do.
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Roman
Scoring Assistant
Quick tip: Never let a werewolf drive your car.
Posts: 114
|
Post by Roman on Oct 23, 2013 6:43:13 GMT -8
I've got to say, I'm really enjoying Jerry's work on "Poltergeist II". In some ways it is more lyrical than the original, and the new themes are really handled well. I like the aggressive and fearsome nature of the original a bit more, but this is definitely a worthy sequel. What do you think?
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